Friday, January 31, 2020
James Fennimore Cooper’s The Last of the Mohicans Essay Example for Free
James Fennimore Cooper’s The Last of the Mohicans Essay In James Fennimore Cooper’s The Last of the Mohicans (1992), we witnessed death, integrity, pride, love, violence and revenge portrayed through the struggle over a piece of land between the French and English in a war that took place sometime in 1757. Not only that, since the novel was written in the early 1990’s, when women’s liberation and â€Å"girl power†are the predominant themes, the author also incorporated a different form of struggle between the main characters in the novel.            I will focus on the character of Alice and Cora, the two heroines in the story and will attempt to make a comparison of the two characters in light of the commonly-accepted views on what a woman should be.            Alice and Cora Munro, as portrayed in the novel, are sisters who embarked on a journey to visit their father. Their journey, as can be expected is doomed from the beginning and is fraught with violence, revenge, conflict and emotional drama. In the novel, Cora, the older sister was depicted as a strong-willed woman who has no qualms in making her own decisions. Alice, the younger sister, is on the other hand, took the role of a fragile, weak-hearted woman who is always in need of rescuing and assistance.            It is apparent from the start that this difference in personality will probably result in conflict between the two sisters. It is surprising though that there was no remarkable conflict as between the two sisters in the novel. In fact, it is their stark differences of personalities which kept these two sisters together. Cora, the ever reliable and brave older sister is always looking out for the welfare of her younger sister. Alice, depicting the traditional notion of femininity, graciously lets her sister and their escorts do their task of protecting her.            It is also worth stressing that the personality differences between Cora and Alice extends to their physical appearance. Cora is a brunette and has a strong feature while Alice is blond-haired thereby accentuating even more her frail physical features. It seems that Cooper had in mind the traditional, stereotypical notion of weak-blond-strong-brunette syndrome when he came up with his set of heroine characters.            Interestingly enough, the heroines in the novel find themselves in a complex entanglement of emotions and feelings. As can be expected, the strong-willed Cora falls for reckless Uncas while Alice, the sentimental heroine, on the other hand, captures the heart of the perfect gentleman, Major Heyward.            In sum, although Alice and Cora were portrayed as having opposite personalities and physical attributes in the novel, it also cannot be denied that in more ways than one, they are also alike. Both are loving daughters whose main purpose from the onset of the journey, is to reunite with their father. Alice and Cora while seemingly in contrast in personalities also share the same attributes inherent in all women which is the ability to love and show intense feelings toward the opposite sex. The brunette-blond contrast is not really an issue here and it is not uncommon for sisters, especially half-sisters to be totally different in physical features.            I think that James Fennimore Cooper, in coming up with the character of Alice and Cora, simply wanted to impress on his readers the two types of women and how these differences can be reconciled and co-exist in a given situation. Furthermore, in a contemporary period, women are seen as possessing diverse traits and personalities akin to Cora and Alice. The stereotyping of blonds and brunettes unfortunately has not been obliterated although, with the advent of women’s liberation, it is difficult nowadays to categorize women into two limited persona such as that of Alice and Cora. Bibliography: Cooper, James Fennimore. The Last of the Mohicans. Bantam Classics, 1826. Ebert, Roger. The Last of the Mohicans. Chicago Sun-Times 25 Sept. 25, 1992. Kempley, Rita. The Last of the Mohicans. The Washington Post. 25 Sept. 25, 1992. â€Å"The Last of the Mohicans: Summaries and Commentaries.†8 July 2008 http://education.yahoo.com/homework_help/cliffsnotes/the_last_of_the_mohicans/56.html.
Thursday, January 23, 2020
ECON 4131, International Finance, Spring 2002, Exam 1 :: UMN Minnesota Business Economics Finance
Midterm Exam International Finance April 8, 2002 Answer all questions in examination booklets 1. (10 points) Use the BOP accounts guide on the last page of this exam to indicate where each of the following transactions should be recorded in the U.S. balance of payments (e.g.: â€Å"i3†, â€Å"e2†, etc.). Bear in mind that each transaction should generate a capital account and a current account entry. a) The U.S. buys $1m. of lumber from Canada b) Japan buys $500K of fish from an Alaskan fishing outfit c) The U.S. contracts a Panamanian flagged vessel for shipping on the Mississippi d) Mexican migrant workers wire $2m. home for Cinco de Mayo celebrations e) A Panamanian flagged ship purchases a $100K insurance contract from a U.S. firm 2. (10 points) The nation of Pecunia had a current account deficit of $2 billion and a nonreserve capital account surplus of $900 million in 1998. a) What was the â€Å"balance of payments†of Pecunia that year? What happened to the country’s net foreign assets? b) Assume that the foreign central banks neither buy nor sell Pecunian assets. How did the Pecunian central bank’s foreign reserves change in 1998? How would this official intervention show up in the balance of payments accounts of Pecunia? c) How would your answer to (b) change if you learned that foreign central banks had purchased $1.2 billion of Pecunian assets in 1998? How would these official purchases enter the foreign balance of payments accounts? 3. (15 points) Derive (show your work) the following, and provide a brief explanation: a) Uncovered interest rate parity b) Covered interest rate parity 4. (10 points) Define â€Å"neutrality of money†and discuss why money is thought to be â€Å"neutral†in the long-run. 5. (10) Define â€Å"Purchasing Power Parity†and discuss the reasons why it might or might not hold. 6. (15 points) In our formal model of exchange rate determination under â€Å"sticky prices†a) What do the two curves represent?
Wednesday, January 15, 2020
Of mIce and Men, how Steinbeck creates sympoahty and animosity towards Curley’s Wife Essay
In of Mice and Men by John Steinbeck, Curley’s wife sparks much debate and controversy, being an extremely important character in the book as she symbolises the gender inequality and discrimination of the period. At the start of the novella, we assume she is just a plot device, but later on find out that there is much more about her and she has a very important role in the book as being the only woman. During the 1930’s women were treated unequally to men, and weren’t treated with as much respect, which is reflected later when we realise that Curley’s wife isn’t addressed with a name. The attitude to women at the time contrasts with how gender inequality is now; women have the right to vote and they are now appreciated. The novella is set in the 1930s in Soledad, near Salinas, California. The novella was set during the American depression. Soledad, meaning loneliness in Spanish is also cleverly used as the place name of where the fictional ranch is set. This merges in with the theme of loneliness that runs throughout the novel, foreshadowing what we later find out about Curley’s wife’s life on the ranch. The Great depression was triggered by the Wall Street Crash of 1929 and left millions of people unemployed. All the while people lost confidence, felt insecure and the American Dream had vanished, linking to what all the men on the ranch want, but now seems impossible to achieve. Because of the ranch being an isolated and primitive, the lifestyle was lonely. Steinbeck uses his personal experience as a ranch worker to describe how the workers felt: George says that â€Å"ranch workers are the loneliest people in the world and don’t belong nowhere†. Steinbeck also portrays loneliness through characterisation. Perhaps the loneliest character, which Steinbeck creates in the novel, is Curley’s wife. She is the only female in the ranch and although she is married, you never witness the distinct couple of Curley and his wife together. She is never really noticed, hence the sense of sexual discrimination. Section 1: Of Mice and Men is filled with tragic events which come in a crucial structure that are hinted throughout the book. In fact, even the title foreshadows the unfortunate situations that take place. â€Å"Of Mice and Men†comes from the poem by Robert Burns – To a Mouse. ‘The best-laid schemes o’ mice an’ men/ gang aft agley./ An’ lea’e us nought but grief an’ pain./ Forn promis’d joy!’. The poem tells us that the best things always go wrong and leave you with nothing but grief and pain, this relates to the novella well because the best dream for Curley’s wife was to be in the ‘pitcures’, but because her mother took them away (she believed) her dreams was shattered and now is left in an unhappy marriage on a ranch where she doesn’t belong. The first moment that we hear about Curley’s wife is when Candy describes her in the bunkhouse, through gossip. He describes her as a sex object, sounding quite negative towards her. Steinbeck first describes her in a less judgmental way, not really showing a strong opinion of her, unlike Candy’s view which is much more frustrated and clear: ‘well i think Curley’s married†¦a tart’. When Candy describes her as a ‘tart’ and the use of an ellipsis, shows that he recoils when using such a derogatory term. The reader already pictures Curley’s wife in their head, and we immediately seem to dislike her, but also sympathise for her because she is gossiped about before the reader even meets her and can make their own decision. One of the reasons why we first hear about Curley’s wife before we meet her is because the men on the ranch all dislike Curley, and they all presume she is as mean as he is. Again, when she is introduced, an ill feeling overcomes the atmosphere indicating that Lennie will be getting into a mess with her. George states in the very beginning that he is always getting into mishaps, â€Å"You do bad things and I got to get you out,†. In the first scene, we learn that Lennie likes to stroke mice and other soft creatures, but has a tendency to kill them accidentally. This foreshadows the death of his puppy and the death of Curley’s wife. Furthermore, when George recounts that Lennie grabbed the woman’s dress in Weed and would not let go, the reader anticipates that similar trouble will arise at the ranch, especially once Curley’s flirtatious wife appears on the scene. Lennie being naà ¯ve and has limited intelligence, showing that he is somewhat childish and interprets his feelings different to how we might understand these feelings. When he describes Curley’s wife as ‘Purty’ we get the sense that he considers her on her looks alone. The vernacular language again shows that he is childlike, and makes him sound real. In society, from where the book was published up till now, the elderly are no longer useful because they aren’t as able. The shooting of Candy’s dog symbolises that there is not need for the elderly to live, representing that Lennie is the dog, because he is not as mentally able as the other men on the ranch. Candy mirrors George- he has to suffer and has lost his partner, just like Candy lost his dog that kept Candy company, but no longer can, linking back to the idea of everyone always ending up lonely. The contrast between the first chapter and the last also shows his death because the same scene goes from the peaceful field to the violent death of the water snake at the beginning of the novella. Section 2: Throughout Of Mice and Men, we feel that a lot of the characters feel real to us. This is because of the vernacular Steinbeck uses. Curley’s wife seems to be a hard character, but might not be as strong as she would like to appear. She strives to make an impression in front of all the men, because she is the only woman on the ranch, one could interpret this like she knows that the men might be attracted to her and thinks she has an advantage. ‘She was heavily made up’ describes that she wears a lot of makeup; this makes the reader get a sense of ill feeling towards her, although whilst also feeling sensitivity for her because this could illustrate that she wears so much makeup to hide herself, and uses it as a mask. Also, she could be so made up because she still wants to imagine herself as an actress; all the stars where makeup and look magnificent. When Curley’s wife first speaks, her voice is described with having ‘a nasal, brittle quality’. The word ‘nasal’ suggests a high, whiney voice, which does not match her powerful facade and links to previous suggestions of being fake and disguising her real persona with her appearance. The fact that she feels unable to show her true self for fear of being hurt, creates sympathy in the reader. After the gossip we hear about Curley’s wife, we finally meet her. Her physical appearance of ‘full, rouged lips and wide-spaced eyes, heavily made- up’, as well as ‘fingernail painted red’ and elaborate hair, further build on our preconceptions of her. Red, the colour of her attire and the style of her hair and makeup suggest some sexuality. Additionally, she use suggestive and provocative body language, ‘she put her hands behind her back and leaned against the door frame so that her body was thrown forward’, and her flimsy excuse to be with the men in their quarters contribute to the rancher’s view of her as a ’tramp’. She both talks and acts playfully and flirtatiously in front of the other ranch workers. She could behave in this manner because her sexuality is her only weapon to gain attention, thus Candy’s description of her seems accurate after her first appearance in the novel. Through her physical appearance and her own actions, Candy’s description of Curley’s Wife seems accurate after her first appearance in the novel. On the other hand, Curley’s Wife’s appearance could be seen as naivety and simply youthful desire to be found attractive. Red is a primary colour therefore children are attracted to it, it is a colour children want to wear because it is bright and has an element of happiness in it. Therefore Curley’s Wife wearing the colour red may symbolise a child’s attraction to bright colours portraying her as youthful or girly. Curley’s wife is such a complex character, and we see this in the letter Steinbeck wrote to Miss Luce describing her. Steinbeck heard that Miss Luce was struggling to play the role of Curley’s wife in 1938, in the letter he included her as ‘knowing utterly nothing about sex’ and Curley’s wife is an innocent woman under all the defenses she has built up against all the comments directed to her. In of Mice and Men by John Steinbeck, Curley’s wife sparks much debate and controversy, being an extremely important character in the book as she symbolises the gender inequality and discrimination of the period. At the start of the novella, we assume she is just a plot device, but later on find out that there is much more about her and she has a very important role in the book as being the only woman. During the 1930’s women were treated unequally to men, and weren’t treated with as much respect, which is reflected later when we realise that Curley’s wife isn’t addressed with a name. The attitude to women at the time contrasts with how gender inequality is now; women have the right to vote and they are now appreciated. The novella is set in the 1930s in Soledad, near Salinas, California. The novella was set during the American depression. Soledad, meaning loneliness in Spanish is also cleverly used as the place name of where the fictional ranch is set. This merges in with the theme of loneliness that runs throughout the novel, foreshadowing what we later find out about Curley’s wife’s life on the ranch. The Great depression was triggered by the Wall Street Crash of 1929 and left millions of people unemployed. All the while people lost confidence, felt insecure and the American Dream had vanished, linking to what all the men on the ranch want, but now seems impossible to achieve. Because of the ranch being an isolated and primitive, the lifestyle was lonely. Steinbeck uses his personal experience as a ranch worker to describe how the workers felt: George says that â€Å"ranch workers are the loneliest people in the world and don’t belong nowhere†. Steinbeck also portrays loneliness through characterisation. Perhaps the loneliest character, which Steinbeck creates in the novel, is Curley’s wife. She is the only female in the ranch and although she is married, you never witness the distinct couple of Curley and his wife together. She is never really noticed, hence the sense of sexual discrimination. Section 1: Of Mice and Men is filled with tragic events which come in a crucial structure that are hinted throughout the book. In fact, even the title foreshadows the unfortunate situations that take place. â€Å"Of Mice and Men†comes from the poem by Robert Burns – To a Mouse. ‘The best-laid schemes o’ mice an’ men/ gang aft agley./ An’ lea’e us nought but grief an’ pain./ For promis’d joy!’. The poem tells us that the best things always go wrong and leave you with nothing but grief and pain, this relates to the novella well because the best dream for Curley’s wife was to be in the ‘pitcures’, but because her mother took them away (she believed) her dreams was shattered and now is left in an unhappy marriage on a ranch where she doesn’t belong. The first moment that we hear about Curley’s wife is when Candy describes her in the bunkhouse, through gossip. He describes her as a sex object, sounding quite negative towards her. Steinbeck first describes her in a less judgmental way, not really showing a strong opinion of her, unlike Candy’s view which is much more frustrated and clear: ‘well i think Curley’s married†¦a tart’. When Candy describes her as a ‘tart’ and the use of an ellipsis, shows that he recoils when using such a derogatory term. The reader already pictures Curley’s wife in their head, and we immediately seem to dislike her, but also sympathise for her because she is gossiped about before the reader even meets her and can make their own decision. One of the reasons why we first hear about Curley’s wife before we meet her is because the men on the ranch all dislike Curley, and they all presume she is as mean as he is. Again, when she is introduced, an ill feeling overcomes the atmosphere indicating that Lennie will be getting into a mess with her. George states in the very beginning that he is always getting into mishaps, â€Å"You do bad things and I got to get you out,†. In the first scene, we learn that Lennie likes to stroke mice and other soft creatures, but has a tendency to kill them accidentally. This foreshadows the death of his puppy and the death of Curley’s wife. Furthermore, when George recounts that Lennie grabbed the woman’s dress in Weed and would not let go, the reader anticipates that similar trouble will arise at the ranch, especially once Curley’s flirtatious wife appears on the scene. Lennie being naà ¯ve and has limited intelligence, showing that he is somewhat childish and interprets his feelings different to how we might understand these feelings. When he describes Curley’s wife as ‘Purty’ we get the sense that he considers her on her looks alone. The vernacular language again shows that he is childlike, and makes him sound real. In society, from where the book was published up till now, the elderly are no longer useful because they aren’t as able. The shooting of Candy’s dog symbolises that there is not need for the elderly to live, representing that Lennie is the dog, because he is not as mentally able as the other men on the ranch. Candy mirrors George- he has to suffer and has lost his partner, just like Candy lost his dog that kept Candy company, but no longer can, linking back to the idea of everyone always ending up lonely. The contrast between the first chapter and the last also shows his death because the same scene goes from the peaceful field to the violent death of the water snake at the beginning of the novella. Section 2: Throughout Of Mice and Men, we feel that a lot of the characters feel real to us. This is because of the vernacular Steinbeck uses. Curley’s wife seems to be a hard character, but might not be as strong as she would like to appear. She strives to make an impression in front of all the men, because she is the only woman on the ranch, one could interpret this like she knows that the men might be attracted to her and thinks she has an advantage. ‘She was heavily made up’ describes that she wears a lot of makeup; this makes the reader get a sense of ill feeling towards her, although whilst also feeling sensitivity for her because this could illustrate that she wears so much makeup to hide herself, and uses it as a mask. Also, she could be so made up because she still wants to imagine herself as an actress; all the stars where makeup and look magnificent. When Curley’s wife first speaks, her voice is described with having ‘a nasal, brittle quality’. The word ‘nasal’ suggests a high, whiney voice, which does not match her powerful facade and links to previous suggestion In of Mice and Men by John Steinbeck, Curley’s wife sparks much debate and controversy, being an extremely important character in the book as she symbolises the gender inequality and discrimination of the period. At the start of the novella, we assume she is just a plot device, but later on find out that there is much more about her and she has a very important role in the book as being the only woman. During the 1930’s women were treated unequally to men, and weren’t treated with as much respect, which is reflected later when we realise that Curley’s wife isn’t addressed with a name. The attitude to women at the time contrasts with how gender inequality is now; women have the right to vote and they are now appreciated. The novella is set in the 1930s in Soledad, near Salinas, California. The novella was set during the American depression. Soledad, meaning loneliness in Spanish is also cleverly used as the place name of where the fictional ranch is set. This merges in with the theme of loneliness that runs throughout the novel, foreshadowing what we later find out about Curley’s wife’s life on the ranch. The Great depression was triggered by the Wall Street Crash of 1929 and left millions of people unemployed. All the while people lost confidence, felt insecure and the American Dream had vanished, linking to what all the men on the ranch want, but now seems impossible to achieve. Because of the ranch being an isolated and primitive, the lifestyle was lonely. Steinbeck uses his personal experience as a ranch worker to describe how the workers felt: George says that â€Å"ranch workers are the loneliest people in the world and don’t belong nowhere†. Steinbeck also portrays loneliness through characterisation. Perhaps the loneliest character, which Steinbeck creates in the novel, is Curley’s wife. She is the only female in the ranch and although she is married, you never witness the distinct couple of Curley and his wife together. She is never really noticed, hence the sense of sexual discrimination. Section 1: Of Mice and Men is filled with tragic events which come in a crucial structure that are hinted throughout the book. In fact, even the title foreshadows the unfortunate situations that take place. â€Å"Of Mice and Men†comes from the poem by Robert Burns – To a Mouse. ‘The best-laid schemes o’ mice an’ men/ gang aft agley./ An’ lea’e us nought but grief an’ pain./ For promis’d joy!’. The poem tells us that the best things always go wrong and leave you with nothing but grief and pain, this relates to the novella well because the best dream for Curley’s wife was to be in the ‘pitcures’, but because her mother took them away (she believed) her dreams was shattered and now is left in an unhappy marriage on a ranch where she doesn’t belong. The first moment that we hear about Curley’s wife is when Candy describes her in the bunkhouse, through gossip. He describes her as a sex object, sounding quite negative towards her. Steinbeck first describes her in a less judgmental way, not really showing a strong opinion of her, unlike Candy’s view which is much more frustrated and clear: ‘well i think Curley’s married†¦a tart’. When Candy describes her as a ‘tart’ and the use of an ellipsis, shows that he recoils when using such a derogatory term. The reader already pictures Curley’s wife in their head, and we immediately seem to dislike her, but also sympathise for her because she is gossiped about before the reader even meets her and can make their own decision. One of the reasons why we first hear about Curley’s wife before we meet her is because the men on the ranch all dislike Curley, and they all presume she is as mean as he is. Again, when she is introduced, an ill feeling overcomes the atmosphere indicating that Lennie will be getting into a mess with her. George states in the very beginning that he is always getting into mishaps, â€Å"You do bad things and I got to get you out,†. In the first scene, we learn that Lennie likes to stroke mice and other soft creatures, but has a tendency to kill them accidentally. This foreshadows the death of his puppy and the death of Curley’s wife. Furthermore, when George recounts that Lennie grabbed the woman’s dress in Weed and would not let go, the reader anticipates that similar trouble will arise at the ranch, especially once Curley’s flirtatious wife appears on the scene. Lennie being naà ¯ve and has limited intelligence, showing that he is somewhat childish and interprets his feelings different to how we might understand these feelings. When he describes Curley’s wife as ‘Purty’ we get the sense that he considers her on her looks alone. The vernacular language again shows that he is childlike, and makes him sound real. In society, from where the book was published up till now, the elderly are no longer useful because they aren’t as able. The shooting of Candy’s dog symbolises that there is not need for the elderly to live, representing that Lennie is the dog, because he is not as mentally able as the other men on the ranch. Candy mirrors George- he has to suffer and has lost his partner, just like Candy lost his dog that kept Candy company, but no longer can, linking back to the idea of everyone always ending up lonely. The contrast between the first chapter and the last also shows his death because the same scene goes from the peaceful field to the violent death of the water snake at the beginning of the novella. Section 2: Throughout Of Mice and Men, we feel that a lot of the characters feel real to us. This is because of the vernacular Steinbeck uses. Curley’s wife seems to be a hard character, but might not be as strong as she would like to appear. She strives to make an impression in front of all the men, because she is the only woman on the ranch, one could interpret this like she knows that the men might be attracted to her and thinks she has an advantage. ‘She was heavily made up’ describes that she wears a lot of makeup; this makes the reader get a sense of ill feeling towards her, although whilst also feeling sensitivity for her because this could illustrate that she wears so much makeup to hide herself, and uses it as a mask. Also, she could be so made up because she still wants to imagine herself as an actress; all the stars where makeup and look magnificent. When Curley’s wife first speaks, her voice is described with having ‘a nasal, brittle quality’. The word ‘nasal’ suggests a high, whiney voice, which does not match her powerful facade and links to previous suggestions of being fake and disguising her real persona with her appearance. The fact that she feels unable to show her true self for fear of being hurt, creates sympathy in the reader. After the gossip we hear about Curley’s wife, we finally meet her. Her physical appearance of ‘full, rouged lips and wide-spaced eyes, heavily made- up’, as well as ‘fingernail painted red’ and elaborate hair, further build on our preconceptions of her. Red, the colour of her attire and the style of her hair and makeup suggest some sexuality. Additionally, she use suggestive and provocative body language, ‘she put her hands behind her back and leaned against the door frame so that her body was thrown forward’, and her flimsy excuse to be with the men in their quarters contribute to the rancher’s view of her as a ’tramp’. She both talks and acts playfully and flirtatiously in front of the other ranch workers. She could behave in this manner because her sexuality is her only weapon to gain attention, thus Candy’s description of her seems accurate after her first appearance in the novel. Through her physical appearance and her own actions, Candy’s description of Curley’s Wife seems accurate after her first appearance in the novel. On the other hand, Curley’s Wife’s appearance could be seen as naivety and simply youthful desire to be found attractive. Red is a primary colour therefore children are attracted to it, it is a colour children want to wear because it is bright and has an element of happiness in it. Therefore Curley’s Wife wearing the colour red may symbolise a child’s attraction to bright colours portraying her as youthful or girly. Curley’s wife is such a complex character, and we see this in the letter Steinbeck wrote to Miss Luce describing her. Steinbeck heard that Miss Luce was struggling to play the role of Curley’s wife in 1938, in the letter he included her as ‘knowing utterly nothing about sex’ and Curley’s wife is an innocent woman under all the defenses she has built up against all the comments directed to her. s of being fake and disguising her real persona with her appearance. The fact that she feels unable to show her true self for fear of being hurt, creates sympathy in the reader. After the gossip we hear about Curley’s wife, we finally meet her. Her physical appearance of ‘full, rouged lips and wide-spaced eyes, heavily made- up’, as well as ‘fingernail painted red’ and elaborate hair, further build on our preconceptions of her. Red, the colour of her attire and the style of her hair and makeup suggest some sexuality. Additionally, she use suggestive and provocative body language, ‘she put her hands behind her back and leaned against the door frame so that her body was thrown forward’, and her flimsy excuse to be with the men in their quarters contribute to the rancher’s view of her as a ’tramp’. She both talks and acts playfully and flirtatiously in front of the other ranch workers. She could behave in this manner because her sexuality is her only weapon to gain attention, thus Candy’s description of her seems accurate after her first appearance in the novel. Through her physical appearance and her own actions, Candy’s description of Curley’s Wife seems accurate after her first appearance in the novel. On the other hand, Curley’s Wife’s appearance could be seen as naivety and simply youthful desire to be found attractive. Red is a primary colour therefore children are attracted to it, it is a colour children want to wear because it is bright and has an element of happiness in it. Therefore Curley’s Wife wearing the colour red may symbolise a child’s attraction to bright colours portraying her as youthful or girly. Curley’s wife is such a complex character, and we see this in the letter Steinbeck wrote to Miss Luce describing her. Steinbeck heard that Miss Luce was struggling to play the role of Curley’s wife in 1938, in the letter he included her as ‘knowing utterly nothing about sex’ and Curley’s wife is an innocent woman under all the defenses she has built up against all the comments directed to her.
Monday, January 6, 2020
Quotes From A Passage to India by E.M. Forster
A Passage to India is a famous modern novel by E.M. Forester. Set during the English colonization of India, the novel dramatically depicts some of the conflicts between the Indian people and the colonial government. Here are a few quotes from A Passage to India. So abased, so monotonous is everything that meets the eye, that when the Ganges comes down it might be expected to wash the excrescence back into the soil. Houses do fall, people are drowned and left rotting, but the general outline of the town persists, welling here, shrinking there, like some low but indestructible form of life.- E.M. Forster, A Passage to India, Ch. 1On the second rise is laid out the little civil station, and viewed hence Chandrapore appears to be a totally different place. It is a city of gardens. It is no city, but a forest sparsely scattered with huts. It is a tropical pleasaunce washed by a noble river.- E.M. Forster, A Passage to India, Ch. 1They all become exactly the same, not worse, not better. I give any Englishman two years, be he Turton or Burton. It is only the difference of a letter. And I give any English woman six months. All are exactly alike.- E.M. Forster, A Passage to India, Ch. 2He has found out our dinner hour, thats all, and chooses to inter rupt us every time, in order to show his power.- E.M. Forster, A Passage to India, Ch. 2A Mosque by winning his approval let loose his imagination. The temple of another creed, Hindu, Christian, or Greek, would have bored him and failed to awaken his sense of beauty. Here was Islam, his own country, more than a Faith, more than a battle cry, more, much more.- E.M. Forster, A Passage to India, Ch. 2Islam an attitude towards life both exquisite and durable, where his body and his thoughts found their home.- E.M. Forster, A Passage to India, Ch. 2That makes no difference. God is here.- E.M. Forster, A Passage to India, Ch. 2As he strolled down hill beneath the lovely moon, and again saw the lovely mosque, he seemed to own the land as much as anyone who owned it. What did it matter if a few flabby Hindus had preceded him there, and a few chilly English succeeded.- E.M. Forster, A Passage to India, Ch. 2I want to see the real India.- E.M. Forster, A Passage to India, Ch. 3Come on, Indias not as bad as all that. Other side of the earth, if you like, but we stick to the same old moon.- E.M. Forster, A Passage to India, Ch. 3Adventures do occur, but not punctually.- E.M. Forster, A Passage to India, Ch. 3In England the moon had seemed dead and alien; here she was caught in the shawl of night together with earth and all other stars. A sudden sense of unity, of kinship with the heavenly bodies, passed into the old woman and out, like water through a tank, leaving a strange freshness behind.- E.M. Forster, A Passage to India, Ch. 3It is easy to sympathize at a distance. I value more the kind word that is spoken close to my ear.- E.M. Forster, A Passage to India, Ch. 4No, no, this is going to far. We must exclude someone from our gathering, or we shall be left with nothing.- E.M. Forster, A Passage to India, Ch. 4No, it was not picturesque; the East, abandoning its secular magnificence, was descending into a valley whose farther side no man can see.- E.M. Forster, A Passa ge to India, Ch. 5Because India is part of the earth. And God has put us on the earth in order to be pleasant to each other. God is love.- E.M. Forster, A Passage to India, Ch. 5he did not realize that white has no more to do with a colour than God save the King with a god, and that it is the height of impropriety to consider what it does connote.- E.M. Forster, A Passage to India, Ch. 7A mystery is only a high sounding term for a muddle. No advantage in stirring it up, in either case. Aziz and I know well that India is a muddle.- E.M. Forster, A Passage to India, Ch. 7Aziz was exquisitely dressed, from tie-pin to spats, but he had forgotten his back-collar stud, and there you have the Indian all over; inattention to detail, the fundamental slackness that reveals the race.- E.M. Forster, A Passage to India, Ch. 8 Her hand touched his, owing to a jolt, and one of the thrills so frequent in the animal kingdom passed between them, and announced that their difficulties were only a lovers quarrel.- E.M. Forster, A Passage to India, Ch. 8And when the whole world behaves as such, there will be no more purdah?- E.M. Forster, A Passage to India, Ch. 11But he [Aziz] himself was rooted in society and Islam. He belonged to a tradition, which bound him, and he had brought children into the world, the society of the future. Though he lived so vaguely in this flimsy bungalow, nevertheless he was placed, placed.- E.M. Forster, A Passage to India, Ch. 11All the love he felt for her at the Mosque welled up again, the fresher for forgetfulness.- E.M. Forster, A Passage to India, Ch. 13You keep your religion, I mine. That is best. Nothing embraces the whole of India, nothing, nothing and that was Akbars mistake.- E.M. Forster, A Passage to India, Ch. 14But suddenly, at the edge of her mind, Religion appeared, po or little talkative Christianity, and she knew that all its divine words from Let there be light to It is finished only amounted to boum.- E.M. Forster, A Passage to India, Ch. 14I have had twenty five years experience of this country--and twenty five years seemed to fill the waiting room with their staleness and ungeneroisity--and during those twenty five years, I have never known anything but disaster result when English people and Indians attempt to be intimate socially.- E.M. Forster, A Passage to India, Ch. 17They are not to blame, they have not a dogs chance--we should be like them if we settled here.- E.M. Forster, A Passage to India, Ch. 18They had started speaking of women and children, that phrase that exempts the male from sanity when it has been repeated a few times.- E.M. Forster, A Passage to India, Ch. 20But every humane act in the East is tainted with officialism, and while honoring him they condemned Aziz and India.- E.M. Forster, A Passage to India, Ch. 20The sound had spouted after her when she escaped, and was going on still like a river that gradually floods the plain. Only Mrs. Moore could drive it back to its source and seal the broken reservoir. Evil was loose...she could hear it entering the lives of others.- E.M. Forster, A Passage to India, Ch. 22Her Christian tenderness had gone, or had developed into hardness, a just irritation against the human race; she had taken no interest at the arrest, asked scarcely any questions, and had refused to leave her bed on one awful last night of Mohurram, when an attack was expected on the bungalow.- E.M. Forster, A Passage to India, Ch. 22As soon as she landed in India, it seemed to her good, and when she saw the water flowing through the mosque tank, or the Ganges, or the moon caught in the shawl of night with all the other stars, it seemed a beautiful goal and an easy one.- E.M. Forster, A Passage to India, Ch. 23by what right did they claim so much importance in the world and assume the title of civilization?- E.M. Forster, A Passage to India, Ch. 24Ronnys religion was of the sterilized Public School brand, which never goes bad, even in the tropics. Wherever he entered, mosque, cave or temple, he retained the spiritual outlook of the fifth form, and condemned as weakening any attempt to understand them.- E.M. Forster, A Passage to India, Ch. 28The poem for Mr. Bhattacharya never got written, but it had an effect. It led him towards the vague and bulky figure of a mother-land. He was without natural affection for the land of his birth, but the Marabar Hills drove him to it. Half closing his eyes, he attempted to love India.- E.M. Forster, A Passage to India, Ch. 30Suspicion in the Oriental is a sort of malignant tumor, a mental malady, that makes him self-conscious and unfriendly suddenly; he trusts and mistrusts at the same time in a way the Westerner can not comprehend. It is his demon, as the Westerners is hypocrisy.- E.M. Forster, A Passage to India, Ch. 32Thus Godbol e, though she was not important to him, remembered an old woman he had met in Chandrapore days. Chance brought her into his mind while it was in this heated state, he did not select her, she happened to occur among the throng of soliciting images, a tiny splinter, and he impelled her by his spiritual force to that place where completeness can be found.- E.M. Forster, A Passage to India, Ch. 33My heart is for my own people henceforward.- E.M. Forster, A Passage to India, Ch. 35Then you are an Oriental.- E.M. Forster, A Passage to India, Ch. 36But the horses didnt want it-they swerved apart; the earth didnt want it, sending up rocks through which riders must pass single file; the temples, the tank, the jail, the palace, the birds, the carrion, the Guest House, that came into view as they issued from the gap and saw Mau beneath: they didnt want it, they said in their hundred voices, No, not yet, and the sky said, No, not there.- E.M. Forster, A Passage to India, Ch. 37
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